Dangerous dancersa Slam dance special
Bert Ernie is a wild man. He has done many wild things. This is a painting of a scene from ‘back in the day’.
Dimensions: 20x27cm.
Painted: 2008.
Materials: Acrylic on MDF board.
Availability: Private collection.
Painted: 2008.
Materials: Acrylic on MDF board.
Availability: Private collection.
The story behind Dangerous dancers
This particular painting shows a hardcore punk gig at the Prince of Wales Hotel in St Kilda circa 1986. The band – Arm The Insane stand on a stage belting out some of the loudest, fastest, most distorted music you are ever likely to hear. The singer is shouting anarchist-themed lyrics, and the crowd loves it.
The band isn’t the focus here though, in the center of the image is the mosh pit. There are a hundred or so men, and a few women, who are thrashing and stomping about wildly, their arms and legs are going in all different directions, slamming their bodies into one another. There are skinheads, punks, metal-heads and an array of all kinds of weirdos going hell for leather in what to some might seem like a sort of restrained all-in brawl. Every minute or so a member of the audience climbs up onto the stage and turns to take a flying leap to land on top of the mosh pit’s frenzied dancers.
The wildness of this scene was something to behold. It had such a tremendous impact on me that more than twenty years after it happened I set about creating an abstract expressionist work of art to communicate a sense of being there amongst it all.
Note: I am in the background of this painting pashing on with a hot skinhead chick who has a pentagram tattoo on her skull.
The band isn’t the focus here though, in the center of the image is the mosh pit. There are a hundred or so men, and a few women, who are thrashing and stomping about wildly, their arms and legs are going in all different directions, slamming their bodies into one another. There are skinheads, punks, metal-heads and an array of all kinds of weirdos going hell for leather in what to some might seem like a sort of restrained all-in brawl. Every minute or so a member of the audience climbs up onto the stage and turns to take a flying leap to land on top of the mosh pit’s frenzied dancers.
The wildness of this scene was something to behold. It had such a tremendous impact on me that more than twenty years after it happened I set about creating an abstract expressionist work of art to communicate a sense of being there amongst it all.
Note: I am in the background of this painting pashing on with a hot skinhead chick who has a pentagram tattoo on her skull.
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I am Bert Ernie.
I paint beauty and madness.